Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 2. Adagio – Bach Collegium Japan

3:28

Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 2. Adagio is a recording by Bach Collegium Japan, appearing on The Sacred Masterworks, with a duration of 3:28, linked to the composition Oster-Oratorium, BWV 249: II. Adagio. MusicGraph connects this song to 4 albums and 1 credited writer.

Appears On

The Sacred Masterworks(2008)
Easter Oratorio / Ascension Oratorio(2005)
The Vocal Works: Cantatas / Passions / Oratorios / Masses / Motets(2024)
Rise of the Masters: 100 Supreme Classical Masterpieces: Bach(2011)

Writers & Composers

Johann Sebastian Bach(composer)

Composition

Recording of Oster-Oratorium, BWV 249: II. Adagio

Other Versions (18)

Easter Oratorio, BWV 249: II. Adagioby Amsterdam Baroque Orchestra
Easter Oratorio: Adagioby [unknown]
Adagio from the “Easter Oratorio” , BWV 249 for Oboe and Stringsby Boston Symphony Orchestra
Easter Oratorio, BWV. 249: II. Adagioby Taverner Players
Oster-Oratorium BWV 249 - Adagioby Stuttgarter Kammerorchester
Kantate BWV 249 : Adagioby Südwestdeutsches Kammerorchester Pforzheim
Easter Oratorio: Adagioby The Philadelphia Orchestra
Oster-Oratorium, BWV 249: I. Sinfoniaby Budapesti Vonósok
"Kommt, eilet und laufet ihr flüchtigen Füße", BWV 249: Adagioby La Petite Bande
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ii. Adagioby Wiener Kammerorchester
Oster‐Oratorium, BWV 249: II. Adagioby Bach‐Collegium Stuttgart
Oster-Oratorium, BWV 249: II. Adagioby Collegium Vocale Gent
Easter Oratorio, Sinfonia, BWV 249: II. Adagioby Heinz Holliger
Easter Oratorio, BWV 249: II. Adagioby Südwestdeutsches Kammerorchester Pforzheim
Easter Oratorio, BWV 249: II. Adagioby Gabrieli Consort & Players
Easter Oratorio: Sinfonia: adagioby Budapesti Vonósok
Adagio from Easter Oratorio, BWV 249by Svenska Kammarorkestern
Adagio aus der Sinfonia des Oster-Oratoriums „Kommt, eilet und laufet" BWV 249 für Solo-Oboe, Streicher und Basso continuoby Heinz Holliger