The Stereo Years

Tracklist

1. 8Suite no. 3 in D, BWV 1068: I. Ouverture6:52
2. 9Suite no. 3 in D, BWV 1068: II. Air5:55
3. 10Suite no. 3 in D, BWV 1068: III. Gavotte I-II3:50
4. 11Suite no. 3 in D, BWV 1068: IV. Bourée1:20
5. 12Suite no. 3 in D, BWV 1068: V. Gigue2:58
6. 14Cantata “Herr Gott, dich loben wir”, BWV 130: II. Recitative: “Ihr heller Glanz und hohe Weisheit zeigt”1:11
7. 15Cantata “Herr Gott, dich loben wir”, BWV 130: III. Aria: “Der alte Drache brennt vor Neid”5:08
8. 16Cantata “Herr Gott, dich loben wir”, BWV 130: IV. Recitative: “Wohl aber uns, daß Tag und Nacht”1:42
9. 17Cantata “Herr Gott, dich loben wir”, BWV 130: V. Aria: “Laß, o Fürst der Cherubinen”4:35
10. 20Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: II. Aria: “Mein Jesus ist erstanded”2:57
11. 21Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: III. Recitative: “Mein Jesu, Heißest du des Todes Gift”0:35
12. 22Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: IV. Chorale: “Erschienen ist der herrlich Tag”0:56
13. 23Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: V. Recitative: “Doch scheinet fast”0:58
14. 24Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: VI. Aria: “Freide sei mit euch”5:46
15. 25Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: VII. Chorus: “Du Friedefürst, Herr Jesu Christ”1:19
16. 1Cantata “Der Himmel lacht! Die Erde jubilieret”, BWV 31: I. Sonata2:52
17. 7Cantata “Herr, gehe nicht ins Gericht mit deinem Knecht”, BWV 105: V. Aria: “Kann ich nur Jesum mir zum Freunde machen”6:41
18. 16Cantata “Nimm von uns, Herr, du treuer Gott”. BWV 101: I. Chorus: “Nimm von uns, Herr, du treuer Gott”8:38
19. 17Cantata “Nimm von uns, Herr, du treuer Gott”. BWV 101: VI. Duet: “Gedenk an Jesu bittern Tod”8:08
20. 18Cantata “Nimm von uns, Herr, du treuer Gott”. BWV 101: VII. Chorale: “Leit uns mit deiner rechten Hand”1:25
21. 1Symphony no. 82 in C major “L’Ours”: I. Vivace assai7:34
22. 2Symphony no. 82 in C major “L’Ours”: II. Allegretto7:15
23. 3Symphony no. 82 in C major “L’Ours”: III. Menuetto e Trio4:22
24. 4Symphony no. 82 in C major “L’Ours”: IV. Finale: Vivace5:54
25. 5Symphony no. 83 in G minor “La Poule”: I. Allegro spiritoso5:49
26. 6Symphony no. 83 in G minor “La Poule”: II. Andante5:09
27. 7Symphony no. 83 in G minor “La Poule”: III. Minuetto e Trio: Allegretto4:21
28. 8Symphony no. 83 in G minor “La Poule”: IV. Finale: Vivace4:02
29. 9Symphony no. 84 in E-flat major: I. Largo – Allegro6:52
30. 10Symphony no. 84 in E-flat major: II. Andante7:41
31. 11Symphony no. 84 in E-flat major: III. Menuet e Trio: Allegretto3:39
32. 12Symphony no. 84 in E-flat major: IV. Finale: Vivace6:01
33. 1Symphony no. 85 in B-flat major “La Reine”: I. Adagio – Vivace7:52
34. 2Symphony no. 85 in B-flat major “La Reine”: II. Romance: Allegretto7:52
35. 3Symphony no. 85 in B-flat major “La Reine”: III. Minuetto e Trio: Allegretto4:26
36. 4Symphony no. 85 in B-flat major “La Reine”: IV. Finale: Presto3:30
37. 5Symphony no. 86 in D major: I. Adagio – Allegro spiritoso7:05
38. 6Symphony no. 86 in D major: II. Capriccio: Largo5:54
39. 7Symphony no. 86 in D major: III. Menuetto e Trio: Allegretto5:38
40. 8Symphony no. 86 in D major: IV. Finale: Allegro con spirito6:36
41. 9Symphony no. 87 in A major: I. Vivace7:16
42. 10Symphony no. 87 in A major: II. Adagio6:18
43. 11Symphony no. 87 in A major: III. Menuet e Trio4:31
44. 12Symphony no. 87 in A major: IV. Finale: Vivace4:31
45. 1Symphony no. 22, Hob. I:22 “Der Philosoph”: I. Adagio6:29
46. 2Symphony no. 22, Hob. I:22 “Der Philosoph”: II. Presto5:07
47. 3Symphony no. 22, Hob. I:22 “Der Philosoph”: III. Menuet e trio3:25
48. 4Symphony no. 22, Hob. I:22 “Der Philosoph”: IV. Finale: Presto3:44
49. 5Symphony no. 90, Hob. I:90: I. Adagio - Allegro assai7:16
50. 6Symphony no. 90, Hob. I:90: II. Andante7:21
51. 7Symphony no. 90, Hob. I:90: III. Menuetto5:20
52. 8Symphony no. 90, Hob. I:90: IV. Finale: Allegro assai5:12
53. 1Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio9:41
54. 2Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto7:10
55. 3Symphony no. 1 in C major, op. 21: III. Menuetto (Allegro molto e vivace)4:04
56. 4Symphony no. 1 in C major, op. 21: IV. Finale (Adagio - Allegro molto e vivace)6:07
57. 5Symphony no. 3 in E-flat major, op. 55 'Eroica': I. Allegro con brio14:34
58. 6Symphony no. 3 in E-flat major, op. 55 'Eroica': II. Marcia funebre (Adagio assai)15:15
59. 7Symphony no. 3 in E-flat major, op. 55 'Eroica': III. Scherzo (Allegro vivace)5:59
60. 8Symphony no. 3 in E-flat major, op. 55 'Eroica': IV. Finale (Allegro molto)12:15
61. 1Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio10:34
62. 2Symphony no. 2 in D major, op. 36: II. Larghetto11:59
63. 3Symphony no. 2 in D major, op. 36: III. Scherzo (Allegro)3:46
64. 4Symphony no. 2 in D major, op. 36: IV. Allegro molto7:08
65. 5Symphony no. 4 in B-flat major, op. 60: I. Adagio (Allegro vivace)12:30
66. 6Symphony no. 4 in B-flat major, op. 60: II. Adagio9:46
67. 7Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace (Un poco meno Allegro)5:54
68. 8Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo7:25
69. 9Coriolan Overture, op. 627:07
70. 1Symphony no. 5 in C minor, op. 67: I. Allegro con brio7:35
71. 2Symphony no. 5 in C minor, op. 67: II. Andante con moto9:48
72. 3Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro5:11
73. 4Symphony no. 5 in C minor, op. 67: IV. Allegro8:40
74. 5Symphony no. 6 in F, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankuft auf dem Lande: Allegro ma non troppo9:42
75. 6Symphony no. 6 in F, op. 68 “Pastoral”: II. Szene am Bach: Andante molto mosso12:39
76. 7Symphony no. 6 in F, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute: Allegro5:49
77. 8Symphony no. 6 in F, op. 68 “Pastoral”: IV. Gewitter, Sturm: Allegro3:42
78. 9Symphony no. 6 in F, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto8:32
79. 1Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace11:45
80. 2Symphony no. 7 in A, op. 92: II. Allegretto8:53
81. 3Symphony no. 7 in A, op. 92: III. Presto9:25
82. 4Symphony no. 7 in A, op. 92: IV. Allegro con brio8:57
83. 5Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio10:03
84. 6Symphony no. 8 in F, op. 93: II. Allegretto scherzando3:58
85. 7Symphony no. 8 in F, op. 93: III. Tempo di menuetto5:27
86. 8Symphony no. 8 in F, op. 93: IV, Allegro vivace8:11
87. 9Egmont Overture, op. 848:27
88. 1Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso16:21
89. 2Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace11:18
90. 3Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile15:16
91. 4Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale24:14
92. 1Symphony no. 1 in C major, op. 21: Adagio – Allegro molto e vivace8:11
93. 2Symphony no. 1 in C major, op. 21: Adagio molto – Allegro con brio6:21
94. 3Symphony no. 1 in C major, op. 21: Andante cantabile3:35
95. 4Symphony no. 1 in C major, op. 21: Menuetto5:28
96. 5Die Geschöpfe des Prometheus Overture, op. 435:25
97. 6Fidelio Overture, op. 72c5:59
98. 7Leonore Overture, no. 2, op. 72a13:48
99. 8Leonore Overture, no. 3, op. 72b13:51
100. 9Grosse Fuge in B-flat, op. 13317:06
101. 1Der Freischütz, op. 77: Overture9:07
102. 2Preciosa, op. 78: Overture7:07
103. 3Der Beherrscher der Geister Overture, op. 275:52
104. 4Oberon, J. 306: Overture8:25
105. 5Euryanthe, op. 81: Overture8:26
106. 6Abu Hassan, J. 106: Overture3:20
107. 7Jubel Overture, op. 597:27
108. 1Overture 'Ruy Blas', op. 958:10
109. 2Das Märchen von der schönen Melusine Overture, op. 3210:58
110. 3Overture 'The Hebrides', op. 269:45
111. 4Symphony no. 4 in A, op. 90 “Italian”: I. Allegro vivace8:20
112. 5Symphony no. 4 in A, op. 90 “Italian”: II. Andante con moto6:45
113. 6Symphony no. 4 in A, op. 90 “Italian”: III. Con moto moderato7:14
114. 7Symphony no. 4 in A, op. 90 “Italian”: IV. Saltarello: Presto6:10
115. 1A Midsummer Night's Dream: Overture, op. 2111:50
116. 2A Midsummer Night's Dream, op. 61 Incidental Music: no. 1 Scherzo4:40
117. 3A Midsummer Night's Dream: Incidental Music, op. 61: 2. Nocturne6:32
118. 4A Midsummer Night's Dream: Incidental Music, op. 61: 3. Wedding March5:03
119. 5Rosamunde: Overture (to Die Zauberharfe, D. 644)9:50
120. 6Rosamunde: Incidental Music, D. 797: 2. Ballet Music no. 17:55
121. 7Rosamunde: Incidental Music, D. 797: 3a. Entr'acte after Act 23:06
122. 8Rosamunde: Incidental Music, D. 797: 5. Entr'acte after Act 36:48
123. 9Rosamunde: Incidental Music, D. 797: 9. Ballet Music no. 26:42
124. 1Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio7:24
125. 2Symphony no. 8 in F, op. 93: II. Allegretto scherzando3:50
126. 3Symphony no. 8 in F, op. 93: III. Tempo di Minuetto5:28
127. 4Symphony no. 8 in F, op. 93: IV. Allegro vivace7:44
128. 5Manfred Overture, op. 11511:58
129. 6Symphony no. 2 in C, op. 61: I. Sostenuto assai - Allegro ma non troppo12:33
130. 7Symphony no. 2 in C, op. 61: II. Scherzo: Allegro vivace6:56
131. 8Symphony no. 2 in C, op. 61: III. Adagio espressivo9:16
132. 9Symphony no. 2 in C, op. 61: IV. Allegro molto vivace8:56
133. 1Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro12:42
134. 2Symphony no. 1 in C minor, op. 68: II. Andante sostenuto8:50
135. 3Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso4:51
136. 4Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio16:36
137. 5Symphony no. 3 in F, op. 90: I. Allegro con brio - Un poco sostenuto11:55
138. 6Symphony no. 3 in F, op. 90: II. Andante7:46
139. 7Symphony no. 3 in F, op. 90: III. Poco allegretto6:09
140. 8Symphony no. 3 in F, op. 90: IV. Allegro8:39
141. 1Symphony no. 2 in D, op. 73: I. Allegro non troppo19:40
142. 2Symphony no. 2 in D, op. 73: II. Adagio non troppo9:53
143. 3Symphony no. 2 in D, op. 73: III. Allegretto non troppo5:13
144. 4Symphony no. 2 in D, op. 73: IV. Allegro con spirito9:22
145. 5St. Anthony Variations, op. 56a17:02
146. 6Tragic Overture, op. 8113:11
147. 1Symphony no. 4 in E minor, op. 98: I. Allegro non troppo11:47
148. 2Symphony no. 4 in E minor, op. 98: II. Andante moderato11:24
149. 3Symphony no. 4 in E minor, op. 98: III. Allegro giocoso6:30
150. 4Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato9:47
151. 5Academic Festival Overture, op. 809:37
152. 1Lohengrin: Prelude to Act I9:03
153. 2Götterdammerung: Siegfried's Funeral March6:56
154. 3Die Meistersinger von Nürnberg: Prelude to Act I9:40
155. 4Parsifal: Prelude11:58
156. 5Parsifal: Good Friday Music13:10
157. 1A Faust Symphony, S. 108ii: I. Faust: Lento assai26:46
158. 2A Faust Symphony, S. 108ii: II. Gretchen: Andante soave16:11
159. 3A Faust Symphony, S. 108ii: III. Mephistopheles: Allegro vivace, ironico - Final chorus: Andante mistico “Alles Vergängliche ist nur ein Gleichnis”24:22
160. 42 Episodes from Lenau's Faust, S. 110: 2. The Dance in the Village Inn (1st Mephisto Waltz)12:01
161. 12 Episodes from Lenau's Faust, S. 110: 1. The Nocturnal Procession15:03
162. 2Hunnenschlacht (Symphonic Poem no. 11), S. 10514:47
163. 3Symphony no. 3, op. 11: I. Introduction - Modéré12:27
164. 4Symphony no. 3, op. 11: II. Danses - Très vif6:32
165. 5Symphony no. 3, op. 11: III. Pastorale - Modéré9:57
166. 6Symphony no. 3, op. 11: IV. Finale - Vif9:22
167. 1Symphonie fantastique: I. Reveries, passions (Largo - Allegro agitato ed appassionato assai)13:37
168. 2Symphonie fantastique: II. Un bal (Valse. Allegro non troppo)6:07
169. 3Symphonie fantastique: III. Scène aux champs (Adagio)16:02
170. 4Symphonie fantastique: IV. Marche au supplice (Allegretto non troppo)5:05
171. 5Symphonie fantastique: V. Songe d'une nuit du sabbat (Larghetto - Andante)10:13
172. 6La damnation de Faust: Danse des Sylphes2:18
173. 7La Damnation de Faust, op. 24: II. Menuet des follets5:46
174. 8La damnation de Faust: Marche Hongroise4:51
175. 1Le Corsaire: Overture8:37
176. 2Béatrice et Bénédict, op. 27: Overture8:38
177. 3Le Carnaval Romain: Overture9:31
178. 4Benvenuto Cellini, op. 23: Overture10:53
179. 5Nuits d’été : Villanelle2:20
180. 6Nuits d’été : La Spectre de la rose7:06
181. 7Nuits d’été : Absence5:25
182. 8Nuits d’été : Sur les lagunes6:09
183. 9Nuits d’été : Au cimetière5:43
184. 10Nuits d’été : L’Île inconnue3:44
185. 1Symphonie fantastique, op. 14 (in rehearsal): I. from the First Movement11:57
186. 2Symphonie fantastique, op. 14 (in rehearsal): II. from the Second Movement7:34
187. 3Symphonie fantastique, op. 14 (in rehearsal): III. from the Third Movement7:17
188. 4Symphonie fantastique, op. 14 (in rehearsal): IV. from the Fourth Movement3:38
189. 5Symphonie fantastique, op. 14 (in rehearsal): V. from the Fifth Movement12:45
190. 1Symphony in D minor, FWV 48: I. Lento - Allegro ma non troppo18:18
191. 2Symphony in D minor, FWV 48: II. Allegretto10:48
192. 3Symphony in D minor, FWV 48: III. Allegro non troppo10:36
193. 4Les Éolides, Poéme symphonique10:44
194. 5Le Chasseur maudit, FWV 4414:38
195. 1Coppélia: Tableau I. Prélude - Mazurka5:04
196. 2Coppélia: Tableau I, No. 1. Valse2:00
197. 3Coppélia: Tableau I, No. 2. Scène (Swanhilde et Frantz)3:50
198. 4Coppélia: Tableau I, No. 3. Mazurka3:36
199. 5Coppélia: Tableau I, No. 4. Scène (Préparatifs de fête)1:50
200. 6Coppélia: Tableau I, No. 5. Ballade de l'épi2:10
201. 7Coppélia: Tableau I, No. 6. Thème slave varié6:25
202. 8Coppélia: Tableau I, No. 7a. Czárdás (Danse hongroise)3:27
203. 9Coppélia: Tableau I, No. 7b. Sortie5:40
204. 10Coppélia: Tableau II, No. 8. Entr'acte - Valse1:34
205. 11Coppélia: Tableau II, No. 9. Scène (L'atelier de Coppélia)2:11
206. 12Coppélia: Tableau II, No. 10. Scène2:41
207. 13Coppélia: Tableau II, No. 11a. Musique des automates1:37
208. 14Coppélia: Tableau II, No. 11b. Scène1:16
209. 15Coppélia: Tableau II, No. 12. Scène2:25
210. 16Coppélia: Tableau II, No. 13. Chanson à boire3:38
211. 17Coppélia: Tableau II, No. 14. Scène et Valse de la Poupée3:34
212. 18Coppélia: Tableau II, No. 15. Scène3:51
213. 19Coppélia: Tableau II, No. 16. Boléro1:38
214. 20Coppélia: Tableau II, No. 17. Gigue1:27
215. 21Coppélia: Tableau II, No. 18. Scène (Final)2:13
216. 1Coppélia: Tableau III, No. 19. Marche de la cloche / No. 20. Fête de la cloche - Divertissement3:08
217. 2Coppélia: Tableau III, No. 20a. Valse des heures3:41
218. 3Coppélia: Tableau III, No. 20b. L'aurore2:23
219. 4Coppélia: Tableau III, No. 20c. La prière2:09
220. 5Coppélia: Tableau III, No. 20d. Le travail (La fileuse)1:24
221. 6Coppélia: Tableau III, No. 20e. L'hymen (Noce villageoise)1:48
222. 7Coppélia: Tableau III, No. 20f. La discorde et la guerre2:43
223. 8Coppélia: Tableau III, No. 20g. La paix2:58
224. 9Coppélia: Tableau III, No. 20h. Galop final3:58
225. 10Sylvia Suite: I. Prélude - Les chasseresses5:06
226. 11Sylvia Suite: II. Intermezzo et Valse lente3:29
227. 12Sylvia Suite: III. Pizzicati1:51
228. 13Sylvia Suite: IV. March - Cortège de Bacchus5:50
229. 14Daphnis et Chloé: Suite No. 2, I. Lever du jour6:03
230. 15Daphnis et Chloé: Suite No. 2, II. Pantomime6:43
231. 16Daphnis et Chloé: Suite No. 2, III. Danse générale3:48
232. 17Shéhérazade : Asie9:10
233. 18Shéhérazade : La Flûte enchantée2:41
234. 19Shéhérazade : L’Indifférent3:47
235. 20Coppélia, ou La Fille aux yeux d'émail (alternate takes): Prélude - 3. Mazurka5:36
236. 21Coppélia, ou La Fille aux yeux d'émail (alternate takes): Andante (from the end of the Prélude) - 1. Valse lente2:59
237. 22Coppélia, ou La Fille aux yeux d'émail (alternate takes): Danse de fête (from 20g. La Paix)1:18
238. 23Coppélia, ou La Fille aux yeux d'émail (alternate takes): 20h. Galop final2:36
239. 1Carmen Suite: Prélude, Acte 13:37
240. 2Carmen Suite: Prélude, Acte 4 (Aragonaise)2:10
241. 3Carmen Suite: Prélude, Acte 3 (Intermezzo)2:29
242. 4Carmen Suite: Prélude, Acte 2 (Les Dragons d'Alcala)1:36
243. 5Carmen Suite: Scène des contrebandiers (Acte 3)3:49
244. 6Carmen Suite: Habanera (Acte 1)1:43
245. 7Carmen Suite: Nocturne (Acte 3)5:00
246. 8Carmen Suite: La Garde montante (Acte 1)3:42
247. 9Carmen Suite: Danse bohème (Acte 2)4:19
248. 10L'Arlésienne Suite: Prélude6:25
249. 11L'Arlésienne Suite: Minuetto2:59
250. 12L'Arlésienne Suite: Adagietto2:47
251. 13L'Arlésienne Suite: Carillon4:28
252. 14L'Arlésienne Suite: Pastorale5:42
253. 15L'Arlésienne Suite: Intermezzo3:28
254. 16L'Arlésienne Suite: Menuet3:59
255. 17L'Arlésienne Suite: Farandole3:20
256. 18Ouverture: Patrie12:09
257. 1Symphony in C: I. Allegro vivo7:30
258. 2Symphony in C: II. Adagio8:18
259. 3Symphony in C: III. Allegro vivace4:26
260. 4Symphony in C: IV. Allegro vivace6:53
261. 5Petite Suite d'orchestre: I. Marche: Trompette et Tambour2:15
262. 6Petite Suite d'orchestre: II. Berceuse: La Poupée2:27
263. 7Petite Suite d'orchestre: III. Impromptu: La Toupie1:01
264. 8Petite Suite d'orchestre: IV. Duo: Petit mari, Petite femme3:24
265. 9Petite Suite d'orchestre: V. Galop: Le Bal1:50
266. 10La Jolie Fille de Perth Suite: I. Prélude3:56
267. 11La Jolie Fille de Perth Suite: II. Sérénade2:08
268. 12La Jolie Fille de Perth Suite: III. Marche3:09
269. 13La Jolie Fille de Perth Suite: IV. Danse bohémienne3:05
270. 14Le Tombeau de Couperin, M. 68a: I. Prélude3:35
271. 15Le Tombeau de Couperin, M. 68a: II. Forlane5:32
272. 16Le Tombeau de Couperin, M. 68a: III. Menuet4:52
273. 17Le Tombeau de Couperin, M. 68a: IV. Rigaudon3:00
274. 18Tzigane, M. 76a10:14
275. 1Symphonie espagnole in D minor, op. 21: I. Allegro non troppo7:43
276. 2Symphonie espagnole in D minor, op. 21: II. Scherzando: Allegro molto4:29
277. 3Symphonie espagnole in D minor, op. 21: III. Intermezzo: Allegretto non troppo6:10
278. 4Symphonie espagnole in D minor, op. 21: IV. Andante6:18
279. 5Symphonie espagnole in D minor, op. 21: V. Rondo: Allegro8:28
280. 6Namouna: Prélude6:10
281. 7Namouna: Sérénade2:55
282. 8Namouna: Thème varié5:39
283. 9Namouna: Parade de foire5:21
284. 10Namouna: Fête foraine3:56
285. 11Namouna: La Sieste5:20
286. 12Namouna: La Valse de la cigarette5:25
287. 13Divertissement. Andantino3:58
288. 14Scherzo for Orchestra4:46
289. 1Rapsodie pour orchestre: Andantino - Presto11:53
290. 2Habanera3:40
291. 3España, rhapsody for orchestra, also arranged for 2 pianos6:59
292. 4Suite pastorale: 1. Idylle4:50
293. 5Suite pastorale: II. Danse villageoise4:57
294. 6Suite pastorale: III. Sous-bois6:09
295. 7Suite pastorale: IV. Scherzo-Valse5:30
296. 8Joyeuse Marche4:04
297. 9Le Roi malgré lui: I. Danse slave5:05
298. 10Le Roi malgré lui: II. Fête polonaise8:30
299. 1Requiem, op. 48: I. Introitus et Kyrie7:02
300. 2Requiem, op. 48: II. Offertoire9:10
301. 3Requiem, op. 48: III. Sanctus3:15
302. 4Requiem, op. 48: IV. Pie Jesu3:11
303. 5Requiem, op. 48: V. Agnus Dei5:15
304. 6Requiem, op. 48: VI. Libera me5:22
305. 7Requiem, op. 48: VII. In paradisum4:11
306. 8Pelléas et Mélisande, op. 80: I. Prélude (Quasi adagio)5:48
307. 9Pelléas et Mélisande, op. 80: II. La Fileuse (Andantino quasi allegretto)3:07
308. 10Pelléas et Mélisande, op. 80: IV. Mort de Mélisande (Molto adagio)3:46
309. 11Pelléas et Mélisande, op. 80: III. Sicilienne (Allegro molto moderato)4:10
310. 12Pénélope: Prélude7:58
311. 13Masques et bergamasques, Suite, op. 112: I. Ouverture3:28
312. 14Masques et bergamasques, Suite, op. 112: II. Menuet2:42
313. 15Masques et bergamasques, Suite, op. 112: III. Gavotte3:10
314. 16Masques et bergamasques, Suite, op. 112: IV. Pastorale4:11
315. 1Le Festin de l'araignée: 1. Lent10:46
316. 2Le Festin de l'araignée: 2. Lent9:55
317. 3Le Festin de l'araignée: 3. Très modéré3:38
318. 4Le Festin de l'araignée: 4. Très lent4:33
319. 5Symphonie no. 3, op. 42: 1. Allegro vivo5:08
320. 6Symphonie no. 3, op. 42: 2. Adagio8:47
321. 7Symphonie no. 3, op. 42: 3. Vivace3:00
322. 8Symphonie no. 3, op. 42: 4. Allegro con spirito5:52
323. 9Symphonie no. 4, op. 53: 1. Lento; Allegro con brio5:59
324. 10Symphonie no. 4, op. 53: 2. Lento molto9:35
325. 11Symphonie no. 4, op. 53: 3. Allegro scherzando2:54
326. 12Symphonie no. 4, op. 53: 4. Allegro molto4:09
327. 1Petite Suite pour Orchestre, op. 39: I. Aubade3:01
328. 2Petite Suite pour Orchestre, op. 39: II. Pastorale6:46
329. 3Petite Suite pour Orchestre, op. 39: III. Masquerade2:49
330. 4L’Apprenti sorcier11:01
331. 5La Péri: Fanfare2:17
332. 6La Péri: Poème dansé18:08
333. 7Symphony in B-flat, op. 20: I. Lent - Allegro vivo12:40
334. 8Symphony in B-flat, op. 20: II. Très lent9:23
335. 9Symphony in B-flat, op. 20: III. Animé - Très animé13:29
336. 1La Mer: I. De lʼaube à midi sur la mer8:13
337. 2La Mer: II. Jeux de vagues6:03
338. 3La Mer: III. Dialogue du vent et de la mer7:32
339. 4Première rhapsodie, L. 124b (116b)7:30
340. 5Suite bergamasque, L. 82 (75): III. Clair de lune4:16
341. 6Petite Suite: I. En bateau3:45
342. 7Petite Suite: II. Cortège2:57
343. 8Petite Suite: III. Menuet3:13
344. 9Petite Suite: IV. Ballet3:21
345. 10Prélude à l’après-midi d’un faune9:03
346. 11Jeux, L. 133 (126)16:58
347. 1Images pour orchestre: Gigues7:31
348. 2Images pour orchestre: Ibéria. I. Par les rues et par les chemins6:51
349. 3Images pour orchestre: Ibéria. II. Les Parfums de la nuit7:10
350. 4Images pour orchestre: Ibéria. III. Le Matin d’un jour de fête4:15
351. 5Images pour orchestre: Rondes de printemps7:55
352. 6Printemps, Suite symphonique, L. 68b (61b): I. Très modéré8:49
353. 7Printemps, Suite symphonique, L. 68b (61b): II. Modéré6:04
354. 8Nocturnes: I. Nuages6:59
355. 9Nocturnes: II. Fêtes6:21
356. 10Nocturnes: III. Sirènes9:25
357. 6La Péri17:18
358. 1La Mer, L. 111 (109): I. De l'aube à midi sur la mer8:12
359. 2La Mer, L. 111 (109): II. Jeux de vagues6:03
360. 3La Mer, L. 111 (109): III. Dialogue du vent et de la mer7:35
361. 4Khamma, Légende dansée, L. 132a (125b)19:41
362. 5La Boîte à joujoux, L. 136b: Prélude: Le sommeil de la boîte - Tableau 1: Le Magasin de jouets12:43
363. 6La Boîte à joujoux, L. 136b: Tableau 2: Le Champ de bataille8:06
364. 7La Boîte à joujoux, L. 136b: Tableau 3: La Bergerie à vendre -5:32
365. 8La Boîte à joujoux, L. 136b: Tableau 4: Aprs fortune faite - Épilogue3:25
366. 9Marche écossaise sur un thème populaire, L. 83b (77)5:44
367. 10Danse (Tarantelle styrienne), L. 77 (69)5:50
368. 1Pelléas et Mélisande: Acte I, Scène 1. Introduction - “Je ne pourrai plus sortir de cette forêt” (Golaud)3:09
369. 2Pelléas et Mélisande: Acte I, Scène 1. “Pourquoi pleures-tu?” (Golaud, Mélisande)6:21
370. 3Pelléas et Mélisande: Acte I, Scène 1. “Je suis perdu aussi” (Golaud) - Interlude2:59
371. 8Pelléas et Mélisande: Acte II, Scène 1. Interlude3:14
372. 9Pelléas et Mélisande: Acte II, Scène 2. “Ah! Ah! Tout va bien, cela ne sera nien” (Golaud, Mélisande)8:34
373. 10Pelléas et Mélisande: Acte II, Scène 2. “Voyons, donne-moi la main” (Golaud, Mélisande)3:22
374. 11Pelléas et Mélisande: Acte II, Scène 2. Interlude2:13
375. 13Pelléas et Mélisande: Acte III, Scène 1. “Mes longs cheveux descendent jusqu'au seuil de la tour” … “Holà! Holà! Ho!” (Mélisande, Pelléas)6:08
376. 15Pelléas et Mélisande: Acte III, Scène 1. “Que faites-vous ici?” - Interlude (Golaud, Mélisande)4:02
377. 16Pelléas et Mélisande: Acte III, Scène 2. “Prenez garde; par ici” (Golaud, Pelléas, Mélisande)2:35
378. 1Pelléas et Mélisande: Acte III, Scène 3. “Ah! Je respire enfin!” (Pelléas, Golaud)4:30
379. 2Pelléas et Mélisande: Acte III, Scène 3. Interlude1:21
380. 9Pelléas et Mélisande: Acte IV, Scène 2. Interlude3:46
381. 17Pelléas et Mélisande: Acte V. “Mélisande, as-tu pitié de moi comme j'ai pitié de toi?” (Golaud, Mélisande)2:51
382. 18Pelléas et Mélisande: Acte V. “Non, non, nous n'avons pas été coupables” (Golaud, Mélisande)2:09
383. 1Iberia, B. 47 Book 1: I. Evocación5:40
384. 2Iberia, B. 47 Book 1: III. El Corpus en Sevilla8:18
385. 3Iberia, B. 47 Book 2: III. Triana4:35
386. 4Iberia, B. 47 Book 1: II. El puerto4:21
387. 5Iberia, B. 47 Book 3: I. El Albaicín6:52
388. 6Iberia Suite: IV. Navarra5:10
389. 7Danzas fantásticas: I. Exaltación5:31
390. 8Danzas fantásticas: II. Ensueño5:34
391. 9Danzas fantásticas: III. Orgia4:23
392. 1El amor brujo: 1. Introducción - En la cueva2:25
393. 2El amor brujo: 2. Canción del amor dolido1:31
394. 3El amor brujo: 3. El aparecido - Danza del terror2:16
395. 4El amor brujo: 4. El círculo mágico - A media noche2:55
396. 5El amor brujo: 5. Danza ritual del fuego3:50
397. 6El amor brujo: 6. Escena0:55
398. 7El amor brujo: 7. Canción del fuego fatuo1:37
399. 8El amor brujo: 8. Pantomima4:41
400. 9El amor brujo: 9. Danza del juego del amor2:46
401. 10El amor brujo: 10. Final: Las campanas del amanecer1:19
402. 11La vida breve: Act II. Danza española no. 13:31
403. 12El sombrero de tres picos: Part I. Introducción1:35
404. 13El sombrero de tres picos: Part I. La tarde5:04
405. 14El sombrero de tres picos: Part I. Danza de la molinera3:37
406. 15El sombrero de tres picos: Part I. Las uvas4:05
407. 16El sombrero de tres picos: Part II. Danza de los vecinos3:13
408. 17El sombrero de tres picos: Part II. Danza del molinero6:59
409. 18El sombrero de tres picos: Part II. Danza del corregidor6:00
410. 19El sombrero de tres picos: Part II. Danza final6:09
411. 20La vida breve: Act II. Interludio y Danza7:06
412. 1Boléro, M. 8114:23
413. 2Valses nobles et sentimentales, M. 61a15:32
414. 3Rapsodie espagnole, M. 54: I. Prélude à la nuit3:51
415. 4Rapsodie espagnole, M. 54: II. Malagueña1:55
416. 5Rapsodie espagnole, M. 54: III. Habanera2:20
417. 6Rapsodie espagnole, M. 54: IV. Feria5:59
418. 7Pavane pour une infante défunte, M. 19a5:43
419. 8Ma mère l'Oye, M. 19a: Prélude et danse du rouet (Prelude and Dance of the spinning wheel)6:14
420. 9Ma mère l'Oye, M. 19a: Pavane de la Belle au bois dormant (Pavane of the Sleeping Beauty)1:32
421. 10Ma mère l'Oye, M. 19a: Petit Poucet (Tom Thumb)3:02
422. 11Ma mère l'Oye, M. 19a: Laideronnette, Impératrice des pagodes (Laideronnette, Empress of the Pagodas)3:31
423. 12Ma mère l'Oye, M. 19a: Les Entretiens de la Belle et de la Bête (Conversations of Beauty and the Beast)3:58
424. 13Ma mère l'Oye, M. 19a: Le Jardin Féerique (The fairy garden)3:58
425. 2Daphnis et Chloé, 1re Partie: Scène - Danse générale3:02
426. 3Daphnis et Chloé, 1re Partie: Danse grotesque de Dorcon - Scène2:23
427. 6Daphnis et Chloé, 1re Partie: Nocturne - Danse lente et mystérieuse5:15
428. 9Daphnis et Chloé, 2e Partie: Scène - Danse suppliante de Chloé5:45
429. 11Daphnis et Chloé, 3e Partie: Daphnis et Chloé miment l'aventure de Pan et Syrinx5:21
430. 13Alborada del gracioso, M. 43c6:58
431. 14La Valse, M. 7213:09
432. 5Fontane di Roma: La fontana di Valle Giulia all'alba3:53
433. 6Fontane di Roma: La fontana di Tritone al mattino2:24
434. 7Fontane di Roma: La fontana di Trevi al meriggio3:14
435. 8Fontane di Roma: La fontana di Villa Medici al tramonto5:12
436. 9Pini di Roma: I pini di Villa Borghese2:38
437. 10Pini di Roma: Pini presso una catacomba6:28
438. 11Pini di Roma: I pini del Gianicolo6:22
439. 12Pini di Roma: I pini della Via Appia4:34
440. 1Symphony no. 2 for Trumpet and Strings: I. Molto moderato - Allegro11:30
441. 2Symphony no. 2 for Trumpet and Strings: II. Adagio Mesto7:33
442. 3Symphony no. 2 for Trumpet and Strings: III. Vivace, Non Troppo5:16
443. 4Symphony no. 3 "Liturgique": 1. "Dies irae" - Allegro marcato7:34
444. 5Symphony no. 3 "Liturgique": 2. "De profundis clamavi" - Adagio11:05
445. 6Symphony no. 3 "Liturgique": 3. "Dona nobis pacem" - Andante10:45
446. 7Symphony no. 4 (Deliciae Basiliensis), H191: I. Lento e misterioso - Allegro11:30
447. 8Symphony no. 4 (Deliciae Basiliensis), H191: II. Larghetto5:31
448. 9Symphony no. 4 (Deliciae Basiliensis), H191: III. Allegro8:17
449. 24Pacific 2316:09
450. 1The Nutcracker Suite, op. 71a: March2:33
451. 2The Nutcracker Suite, op. 71a: Dance of the Sugar Plum Fairy1:45
452. 3The Nutcracker Suite, op. 71a: Arabian Dance3:35
453. 4The Nutcracker Suite, op. 71a: Chinese Dance1:08
454. 5The Nutcracker Suite, op. 71a: Dance of the Toy Flutes2:18
455. 6The Nutcracker Suite, op. 71a: Waltz of the Flowers6:33
456. 7La Boutique fantasque: Tarantella2:08
457. 8La Boutique fantasque: Andante mosso2:39
458. 9La Boutique fantasque: Can-Can2:02
459. 10Coppélia: Act 1: Introduction (Allegro marcato) and Mazurka4:21
460. 11Coppélia: Act 1: Introduction (Andante) and Waltz2:58
461. 12Coppélia: Act 1: Czárdás3:43
462. 13Coppélia: Act 2: Valse de la poupée2:05
463. 14Giselle: Act 1: Introduction and Waltz5:01
464. 15Giselle: Act 2: Pas de deux and Variation4:45
465. 1Swan Lake: Act 2: Scene3:07
466. 2Swan Lake: Act 2: Dance of the Little Swans (Pas de quatre)1:22
467. 3Swan Lake: Act 2: Pas de deux6:32
468. 4Swan Lake: Act 2: Waltz7:48
469. 5Carnaval: Pierrot1:09
470. 6Carnaval: Reconnaissance1:35
471. 7Carnaval: Aveu1:06
472. 8Carnaval: Pantalon et Columbine1:05
473. 9The Sleeping Beauty, op. 66a: Prologue: Introduction – The Lilac Fairy4:41
474. 10The Sleeping Beauty, op. 66a: Act 1: Rose Adagio – Pas d’action6:15
475. 11The Sleeping Beauty, op. 66a: Act 1: Waltz4:29
476. 12Les Sylphides: Overture: Prélude in A major, op. 28 no. 71:48
477. 13Les Sylphides: Mazurka in C major, op. 67 no. 31:56
478. 14Les Sylphides: Grande valse brillante in E-flat major, op. 185:38
479. 1Le Roi d'Ys: Overture12:12
480. 2Le Domino noir: Overture7:07
481. 3Zampa: Overture8:08
482. 4Raymond: Overture7:43
483. 5La Dame blanche: Overture7:38
484. 6Mignon: Overture8:29
485. 7La Belle Hélène: Overture8:46
486. 8Fra Diavolo: Overture8:00
487. 9Orphée aux enfers: Overture9:16
488. 1Pictures at an Exhibition: I. Promenade / The Gnome3:55
489. 2Pictures at an Exhibition: II. Promenade / The Old Castle5:38
490. 3Pictures at an Exhibition: III. Promenade / Tuileries1:33
491. 4Pictures at an Exhibition: IV. Bydlo / Promenade3:15
492. 5Pictures at an Exhibition: V. Ballet of the Unhatched Chicks1:16
493. 6Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle2:10
494. 7Pictures at an Exhibition: VII. The Marketplace of Limoges1:20
495. 8Pictures at an Exhibition: VIII. The Catacombs (Sepulchrum Romanum)3:30
496. 9Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba Yaga)3:16
497. 10Pictures at an Exhibition: X. The Great Gate of Kiev5:11
498. 11La Valse, M. 7212:51
499. 12Rossiniana, P. 148: I. Capri e Taomina (Barcarola e Siciliana)6:37
500. 13Rossiniana, P. 148: II. Lamento7:04
501. 14Rossiniana, P. 148: III. Intermezzo1:58
502. 15Rossiniana, P. 148: IV. Tarantella “puro sangue” (con passaggio della Processione)7:08
503. 1Pictures at an Exhibition: Promenade - Gnomus4:05
504. 2Pictures at an Exhibition: Promenade - The Old Castle5:21
505. 3Pictures at an Exhibition: Promenade / Tuileries1:35
506. 4Pictures at an Exhibition: Bydlo / Promenade3:09
507. 5Pictures at an Exhibition: Ballet of the Unhatched Chicks1:19
508. 6Pictures at an Exhibition: Samuel Goldenberg & Schmuyle2:06
509. 7Pictures at an Exhibition: The Marketplace at Limoges1:23
510. 8Pictures at an Exhibition: The Catacombs (Sepulchrum Romanum)3:47
511. 9Pictures at an Exhibition: The Hut on Fowl's Legs3:18
512. 10Pictures at an Exhibition: The Great Gate of Kiev5:31
513. 11A Night on the Bare Mountain11:09
514. 12Khovanshchina: Prelude5:10
515. 13Khovanshchina: Dance of the Persian Slaves7:17
516. 14Sorochintsy Fair: Gopak2:03
517. 15Tamara20:39
518. 1Symphony no. 2 in B minor: I. Allegro7:19
519. 2Symphony no. 2 in B minor: II. Scherzo (Prestissimo)5:35
520. 3Symphony no. 2 in B minor: III. Andante6:38
521. 4Symphony no. 2 in B minor: IV. Finale (Allegro)6:36
522. 5Symphony no. 3 in A minor: I. Moderato assai7:16
523. 6Symphony no. 3 in A minor: II. Scherzo: Vivo – Moderato8:45
524. 7Prince Igor: Overture10:40
525. 9Prince Igor: Polovtsian Dances11:14
526. 10In the Steppes of Central Asia6:45
527. 1Swan Lake: Introduction (Moderato assai) / No. 1. Scène (Allegro giusto)5:42
528. 2Swan Lake: No. 2. Waltz (Tempo di valse)6:45
529. 3Swan Lake: Act I. No. 4 Pas de trois: a. Intrada: Allegro / b. Andante sostenuto / c. Allegro semplice / d. Moderato / e. Allegro / f. Coda: Allegro vivace6:59
530. 4Swan Lake: No. 7. Subject / No. 8. Dance with Goblets (Tempo di polacca)4:51
531. 5Swan Lake: No. 10. Scene (Moderato)2:35
532. 6Swan Lake: No. 11. Scene (Allegro moderato - Allegro vivo) / 12. Scene (Allegro)7:56
533. 7Swan Lake: No. 13. Dances of the Swans: I. Tempo di valse2:15
534. 8Swan Lake: No. 13. Dances of the Swans: V. Pas d'action: Odette et le prince (Andante)5:43
535. 9Swan Lake: No. 13. Dances of the Swans: IV. Danse des petits cygnes (Allegro moderato)1:16
536. 10Swan Lake: No. 13. Dances of the Swans: VI. Danse générale (Valse)1:32
537. 11Swan Lake: No. 13. Dances of the Swans: II. Odette solo (Moderato assai)1:43
538. 12Swan Lake: No. 13. Dances of the Swans: VII. Coda (Allegro vivace)2:18
539. 13Swan Lake: No. 15. Scene (Allegro giusto)2:54
540. 14Swan Lake: No. 17. Scene: Entrance and Waltz of the Special Guests (Allegro - Tempo di valse)3:33
541. 15Swan Lake: No. 18. Scene (Allegro - Allegro giusto)1:52
542. 16Swan Lake: No. 21. Spanish Dance (Allegro non troppo: tempo di Bolero)2:16
543. 17Swan Lake: No. 22. Neapolitan Dance (Allegro moderato - Andantino quasi moderato)2:08
544. 1Swan Lake: No. 23. Mazurka2:51
545. 2Swan Lake: No. 20. Danse hongroise (Czárdás)2:27
546. 3Swan Lake: Act III. No. 5. Pas de deux: a. Intrada: Tempo di valse / b. Andante / c. Tempo di valse / d. Coda: Allegro molto vivace7:36
547. 4Swan Lake: No. 28. Scene (Allegro agitato - Allegro vivace)2:00
548. 5Swan Lake: No. 29. Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso)6:12
549. 6Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo18:10
550. 7Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia7:05
551. 8Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace8:46
552. 9Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale (Adagio lamentoso - Andante)9:42
553. 1The Nutcracker, op. 71: Ouverture miniature: Allegro giusto3:09
554. 2The Nutcracker, op. 71: Act I, Tableau 1. No. 1 Scene: The Christmas Tree4:10
555. 3The Nutcracker, op. 71: Act I, Tableau 1. No. 2 March of the Toy Soldiers2:27
556. 4The Nutcracker, op. 71: Act I, Tableau 1. No. 3 Children's Gallop - Dance of the Parents2:14
557. 5The Nutcracker, op. 71: Act I, Tableau 1. No. 4 Dance Scene: Arrival of Drosselmeyer - Distribution of presents5:16
558. 6The Nutcracker, op. 71: Act I, Tableau 1. No. 5 Scene: Grandfather Waltz5:34
559. 7The Nutcracker, op. 71: Act I, Tableau 1. No. 6 Scene: Departure of the guests - Clara and the Nutcracker6:35
560. 8The Nutcracker, op. 71: Act I, Tableau 1. No. 7 Scene: The Battle3:29
561. 9The Nutcracker, op. 71: Act I, Tableau 2. No. 8 Scene: A Pine Forest in Winter3:23
562. 10The Nutcracker, op. 71: Act I, Tableau 2. No. 9 Waltz of the Snowflakes6:08
563. 11The Nutcracker, op. 71: Act II, Tableau 3. No. 10 Scene: The Magic Castle on the Mountain of Sweets4:01
564. 12The Nutcracker, op. 71: Act II, Tableau 3. No. 11 Scene: Clara and Nutcracker Prince4:41
565. 13The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: a. Chocolate (Spanish Dance)1:11
566. 14The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: b. Coffee (Arabian Dance)3:10
567. 15The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: c. Tea (Chinese Dance)1:03
568. 16The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: d. Trepak (Russian Dance)1:07
569. 17The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: e. Dance of the Reed Pipes2:14
570. 18The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: f. Clowns Dance2:41
571. 19The Nutcracker, op. 71: Act II, Tableau 3. No. 13 Waltz of the Flowers6:26
572. 1The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux5:36
573. 2The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux: Variation 1: Tarantelle0:40
574. 3The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux: Variation 2: Dance of The Sugar Plum Fairy1:59
575. 4The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux: Coda1:22
576. 5The Nutcracker, op. 71: Act II, Tableau 3. No. 15 Final Waltz and Apotheosis5:00
577. 6Suite for Orchestra no. 3 in G, op. 55: I. Elégie9:32
578. 7Suite for Orchestra no. 3 in G, op. 55: II. Valse mélancolique5:45
579. 8Suite for Orchestra no. 3 in G, op. 55: III. Scherzo4:38
580. 9Suite for Orchestra no. 3 in G, op. 55: IV. Thème et variations17:37
581. 10Suite for Orchestra no. 4 in G, op. 61 "Mozartiana": I. Gigue1:51
582. 11Suite for Orchestra no. 4 in G, op. 61 "Mozartiana": II. Menuet5:00
583. 12Suite for Orchestra no. 4 in G, op. 61 "Mozartiana": III. Preghiera5:04
584. 13Suite for Orchestra no. 4 in G, op. 61 "Mozartiana": IV. Thème et variations14:14
585. 1Sleeping Beauty: Introduction (Allegro vivo - Andantino) / Prologue, No. 1. March (Moderato)7:52
586. 2Sleeping Beauty: Prologue, No. 2. Dance scene (Moderato con moto)4:13
587. 3Sleeping Beauty: Prologue, No. 3. Pas de six: Introduction - Adagio4:14
588. 4Sleeping Beauty: Prologue, No. 3. Pas de six: Variation I. The Fairy of the Crystal Fountain (Allegro moderato)0:44
589. 5Sleeping Beauty: Prologue, No. 3. Pas de six: Variation II. The Fairy of the Enchanted Garden (Allegro)0:34
590. 6Sleeping Beauty: Prologue, No. 3. Pas de six: Variation III. The Fairy of the Woodland Glades (Allegro moderato)0:56
591. 7Sleeping Beauty: Prologue, No. 3. Pas de six: Variation IV. The Fairy of the Songbirds (Moderato)0:30
592. 8Sleeping Beauty: Prologue, No. 3. Pas de six: Variation V. The Fairy of the Golden Vine (Allegro molto vivace)0:56
593. 9Sleeping Beauty: Prologue, No. 3. Pas de six: Variation VI. The Lilac Fairy (Tempo di valse)0:57
594. 10Sleeping Beauty: Prologue, No. 3. Pas de six: Coda1:29
595. 11Sleeping Beauty: Prologue, No. 4. Finale8:09
596. 12Sleeping Beauty: Act One, No. 5. Scene (Allegro vivo - Moderato)6:35
597. 13Sleeping Beauty: Act One, No. 6. Waltz (Allegro: Tempo di valse)4:20
598. 14Sleeping Beauty: Act One, No. 7. Scene (Andante)1:49
599. 15Sleeping Beauty: Act One, No. 8. Pas d'action: Rose Adagio (Andante - Adagio maestoso)6:05
600. 16Sleeping Beauty: Act One, No. 8. Pas d'action: Dance of the Maids of Honour and the Pages1:58
601. 17Sleeping Beauty: Act One, No. 8. Pas d'action: Aurora's Variation2:38
602. 18Sleeping Beauty: Act One, No. 8. Pas d'action: Coda (Allegro giusto)3:37
603. 19Sleeping Beauty: Act One, No. 9. Finale5:39
604. 1Sleeping Beauty: Act Two, No. 10. Entr'acte and Scene (Allegro con spirito - Un poco più tranquillo)2:46
605. 2Sleeping Beauty: Act Two, No. 11. Blind Man's Buff (Allegro vivo)1:39
606. 3Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Scene0:39
607. 4Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Dance of the Duchesses (Minuet: Moderato con moto)0:51
608. 5Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Dance of the Baronesses (Gavotte)0:46
609. 6Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Dance of the Countesses (Allegro non troppo)0:31
610. 7Sleeping Beauty: Act Two, No. 12. Scene: Dances of the Courtiers: Dance of the Marchionesses (Allegro non troppo)0:45
611. 8Sleeping Beauty: Act Two, No. 13. Farandole: Scene (Poco più vivo) - Dance (Allegro non troppo)1:35
612. 9Sleeping Beauty: Act Two, No. 14. Scene: Prince Florimund and the Lilac Fairy4:46
613. 10Sleeping Beauty: Act Two, No. 15. Pas d'action: Aurora and Florimund (Andante cantabile)5:00
614. 11Sleeping Beauty: Act Two, No. 15. Pas d'action: Aurora's Variation (Allegro con moto)1:25
615. 12Sleeping Beauty: Act Two, No. 15. Pas d'action: Coda (Presto)1:22
616. 13Sleeping Beauty: Act Two, No. 16. Scene (Allegro agitato)0:46
617. 14Sleeping Beauty: Act Two, No. 17. Panorama (Andantino)2:49
618. 15Sleeping Beauty: Act Two, No. 19. Symphonic Entr' acte (The Sleep) and Scene (Andante misterioso) / No. 20. Finale: The Awakening (Allegro agitato)4:19
619. 16Sleeping Beauty: Act Three, No. 21. March (Allegro non troppo)2:25
620. 17Sleeping Beauty: Act Three, No. 22. Polonaise: Procession of Fairy Tale Characters (Allegro moderato e brillante)4:29
621. 18Sleeping Beauty: Act Three, No. 23. Pas de quatre: Introduction1:51
622. 19Sleeping Beauty: Act Three, No. 23. Pas de quatre: Variation I. The Golden Fairy (Allegro tempo di valse)1:03
623. 20Sleeping Beauty: Act Three, No. 23. Pas de quatre: Variation II. The Silver Fairy (Allegro giusto)0:57
624. 21Sleeping Beauty: Act Three, No. 23. Pas de quatre: Variation IV. The Diamond Fairy (Vivace) - Coda (L'istesso tempo)1:27
625. 22Sleeping Beauty: Act Three, No. 24. Pas de caractère: Puss-in-boots and the White Cat (Allegro moderato)1:55
626. 23Sleeping Beauty: Act Three, No. 25. Pas de quatre: Introduction (Adagio)2:14
627. 24Sleeping Beauty: Act Three, No. 25. Pas de quatre: Variation I. Cinderella and Prince Charming (Allegro: Tempo di valse)0:47
628. 25Sleeping Beauty: Act Three, No. 25. Pas de quatre: Variation II. The Bluebird and Princess Florine (Andantino)0:45
629. 26Sleeping Beauty: Act Three, No. 25. Pas de quatre: Coda (Presto)1:30
630. 27Sleeping Beauty: Act Three, No. 26. Pas de caractère: Red Riding Hood and the Wolf (Allegro moderato)1:19
631. 28Sleeping Beauty: Act Three, No. 27. Tom Thumb (Allegro agitato - Tempo di valse - Vivace assai) -1:16
632. 29Sleeping Beauty: Act Three, No. 27. Cinderella and Prince Fortune2:31
633. 30Sleeping Beauty: Act Three, No. 28. Pas de deux: Entreé (Allegretto - Allegro moderato) - Adagio (Andante non troppo)3:40
634. 31Sleeping Beauty: Act Three, No. 28. Pas de deux: Variation I. Florimund (Vivace - Prestissimo)1:00
635. 32Sleeping Beauty: Act Three, No. 28. Pas de deux: Variation II. Aurora (Andantino)1:26
636. 33Sleeping Beauty: Act Three, No. 28. Pas de deux: Coda (Allegro vivace)1:23
637. 34Sleeping Beauty: Act Three, No. 29. Sarabande2:03
638. 35Sleeping Beauty: Act Three, No. 30. Finale and Apotheosis: Finale (Allegro brillante: Tempo di mazurka) -3:55
639. 36Sleeping Beauty: Act Three, No. 30. Finale and Apotheosis: Apotheosis (Andante molto maestoso)1:54
640. 1Scheherazade, op. 35: I. The Sea and Sinbad’s Ship9:27
641. 2Scheherazade, op. 35: II. The Story of the Kalandar Prince10:50
642. 3Scheherazade, op. 35: III. The Young Prince and the Young Princess9:11
643. 4Scheherazade, op. 35: IV. Festival at Baghdad — The Sea — The Shipwreck against a rock surmounted by a bronze warrior12:20
644. 1Symphony no. 2, op. 9 "Antar": I. Largo - Allegro giocoso - Adagio - Largo11:42
645. 2Symphony no. 2, op. 9 "Antar": II. Allegro - Molto allegro - Meno mosso, allargando5:06
646. 3Symphony no. 2, op. 9 "Antar": III. Allegro risoluto alla marcia5:39
647. 4Symphony no. 2, op. 9 "Antar": IV. Allegretto vivace - Andante amoroso - Animato assai8:27
648. 5May Night: Overture8:14
649. 6The Tale of Tsar Sultan, Op. 57: I. The Tsar's Departure and Farewell4:35
650. 7The Tale of Tsar Sultan, op. 57: II. The Tsarina and Her Son Afloat in the Cask6:51
651. 8The Tale of Tsar Sultan, op. 57: III. The Three Wonders7:34
652. 9The Tale of Tsar Sultan: The Flight of the Bumblebee1:40
653. 1Russian Easter Festival Overture, op. 3614:49
654. 2Christmas Eve Suite23:51
655. 3Dubinushka, op. 624:21
656. 4Sadko, op. 511:00
657. 5The Snow Maiden Suite12:37
658. 1The Seasons, op. 67: I. Winter9:46
659. 2The Seasons, op. 67: II. Spring5:28
660. 3The Seasons, op. 67: III. Summer11:11
661. 4The Seasons, op. 67: IV. Autumn9:30
662. 5Concert Waltz no. 1, op. 478:18
663. 6Concert Waltz no. 2, op. 518:29
664. 7Carnaval, op. 9: 1. Préambule2:32
665. 8Carnaval, op. 9: 2. Pierrot1:17
666. 9Carnaval, op. 9: 3. Arlequin1:09
667. 10Carnaval, op. 9: 4. Valse noble1:37
668. 11Carnaval, op. 9: 5. Eusebius1:27
669. 12Carnaval, op. 9: 6. Florestan0:59
670. 13Carnaval, op. 9: 7. Coquette1:36
671. 14Carnaval, op. 9: 8. Papilons0:59
672. 15Carnaval, op. 9: 9. A.S.C.H. - S.C.H.A.0:52
673. 16Carnaval, op. 9: 10. Chiarina0:56
674. 17Carnaval, op. 9: 11. Chopin1:47
675. 18Carnaval, op. 9: 12. Estrella0:33
676. 19Carnaval, op. 9: 13. Reconnaissance1:33
677. 20Carnaval, op. 9: 14. Pantalon et Colombine1:05
678. 21Carnaval, op. 9: 15. Valse allemande0:57
679. 22Carnaval, op. 9: 16. Paganini1:26
680. 23Carnaval, op. 9: 17. Aveu1:00
681. 24Carnaval, op. 9: 18. Promenade1:33
682. 25Carnaval, op. 9: 19. Pause0:26
683. 26Carnaval, op. 9: 20. Marche des “Davidsbündler” contre les Philistins2:51
684. 1Stenka Razin, op. 1314:50
685. 2Ruslan and Lyudmila: Overture5:32
686. 3Kamarinskaya6:51
687. 4A Life for the Tear Overture9:17
688. 7Baba-Yaga, op. 563:05
689. 8Kikimora, op. 636:22
690. 98 Russian Folksongs, op. 58: I. Sacred Song1:54
691. 108 Russian Folksongs, op. 58: II. Christmas Song1:25
692. 118 Russian Folksongs, op. 58: III. Lament2:54
693. 128 Russian Folksongs, op. 58: IV. Comic Song0:55
694. 138 Russian Folksongs, op. 58: V. Tale of the Birds1:34
695. 148 Russian Folksongs, op. 58: VI. Lullaby1:53
696. 158 Russian Folksongs, op. 58: VII. Dance0:50
697. 168 Russian Folksongs, op. 58: VIII. Choral Dance1:25
698. 1Symphony no. 2 in D minor, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro9:48
699. 2Symphony no. 2 in D minor, op. 43: II. Tempo andante, ma rubato - Andante sostenuto13:25
700. 3Symphony no. 2 in D minor, op. 43: III. Vivacissimo - Lento e suave - Largamente5:59
701. 4Symphony no. 2 in D minor, op. 43: IV. Finale: Allegro moderato13:37
702. 5Tapiola, op. 11216:23
703. 1Symphony no. 4 in A minor, op. 43: I. Tempo molto moderato, quasi adagio9:46
704. 2Symphony no. 4 in A minor, op. 43: II. Allegro molto vivace4:31
705. 3Symphony no. 4 in A minor, op. 43: III. Il tempo largo9:47
706. 4Symphony no. 4 in A minor, op. 43: IV. Allegro11:49
707. 5The Isle of the Dead, op. 2919:33
708. 1Romeo and Juliet Suite no. 2, op. 64ter: 1. Montagues and Capulets5:38
709. 2Romeo and Juliet Suite no. 2, op. 64ter: 2. Juliet as a girl3:27
710. 3Romeo and Juliet Suite no. 1, op. 64bis: 3. Madrigal3:14
711. 4Romeo and Juliet Suite no. 1, op. 64bis: 4. Minuet2:40
712. 5Romeo and Juliet Suite no. 1, op. 64bis: 6. Romeo and Juliet7:34
713. 6Romeo and Juliet Suite no. 1, op. 64bis: 7. The end of Tybalt4:14
714. 7Romeo and Juliet Suite no. 1, op. 64bis: 5. Masks1:50
715. 8Romeo and Juliet Suite no. 1, op. 64bis: 1. Dance1:51
716. 9Romeo and Juliet Suite no. 2, op. 64ter: 5. Romeo with Juliet before his departure8:34
717. 10Romeo and Juliet Suite no. 2, op. 64ter: 7. Romeo at Juliet's tomb6:34
718. 11The Prodigal Son - Symphonic suite, op. 46 bis: 1. Adagio5:43
719. 12The Prodigal Son - Symphonic suite, op. 46 bis: 2. Allegro fastoso3:00
720. 13The Prodigal Son - Symphonic suite, op. 46 bis: 3. Presto2:41
721. 14The Prodigal Son - Symphonic suite, op. 46 bis: 4. Andante assai3:18
722. 15The Prodigal Son - Symphonic suite, op. 46 bis: 5. 5. Andante pomposo4:33
723. 16Violin Concerto no. 1 in D major, op. 19: I. Andantino9:14
724. 17Violin Concerto no. 1 in D major, op. 19: II. Scherzo: Vivacissimo3:43
725. 18Violin Concerto no. 1 in D major, op. 19: III. Moderato7:32
726. 1Cinderella Suite no. 1, op. 107: 1. Introduction2:39
727. 2Cinderella Suite no. 1, op. 107: 2. Pas de châle3:32
728. 3Cinderella Suite no. 1, op. 107: 3. Quarrel3:18
729. 4Cinderella Suite no. 2, op. 108: 1. Cinderella's Dream3:28
730. 5Cinderella Suite no. 1, op. 107: 4. Fairy Godmother and Fairy Winter4:25
731. 6Cinderella Suite no. 1, op. 107: 5. Mazurka4:51
732. 7Cinderella Suite no. 1, op. 107: 6. Cinderella leaves for the ball2:30
733. 8Cinderella Suite no. 2, op. 108: 5. Cinderella arrives at the castle6:51
734. 9Cinderella Suite no. 2, op. 108: 4. Bourée1:20
735. 10Cinderella Suite no. 2, op. 108: 7. Galop4:15
736. 11Cinderella Suite no. 1, op. 107: 7. Cinderella's Waltz / 8. Midnight4:54
737. 12Scythian Suite, op. 20: 1. The Adoration of Veles and Ala6:46
738. 13Scythian Suite, op. 20: 2. The Enemy God and the Dance of the Black Spirits3:01
739. 14Scythian Suite, op. 20: 3. Night6:02
740. 15Scythian Suite, op. 20: 4. The Glorious Departure of Lolly and the Procession of the Sun5:13
741. 16The Love for Three Oranges Suite, op. 33bis: 3. March1:41
742. 17The Love for Three Oranges Suite, op. 33bis: 4. Scherzo2:31
743. 1Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato10:05
744. 2Violin Concerto no. 2 in G minor, op. 63: II. Andante assai8:41
745. 3Violin Concerto no. 2 in G minor, op. 63: III. Allegro, ben marcato6:39
746. 4Symphonie en Ré "Classique": 1ᵉʳ mouvement: Allegro4:47
747. 5Symphonie en Ré "Classique": 2ᵉ mouvement: Larghetto4:25
748. 6Symphonie en Ré "Classique": 3ᵉ mouvement: Gavotte, Non troppo allegro1:29
749. 7Symphonie en Ré "Classique": 4ᵉ mouvement: Finale, Molto vivace4:19
750. 8Symphony no. 5 in B-flat major, op. 100: I. Andante11:44
751. 9Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato7:57
752. 10Symphony no. 5 in B-flat major, op. 100: III. Adagio12:07
753. 11Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso9:44
754. 1Concerto for Orchestra, Sz. 116: I. Introduzione9:39
755. 2Concerto for Orchestra, Sz. 116: II. Presentando le coppie7:05
756. 3Concerto for Orchestra, Sz. 116: III. Elegia6:38
757. 4Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto3:53
758. 5Concerto for Orchestra, Sz. 116: V. Finale9:44
759. 6Dance Suite, Sz. 77: I. Moderato3:37
760. 7Dance Suite, Sz. 77: II. Allegro molto2:33
761. 8Dance Suite, Sz. 77: III. Allegro vivace3:06
762. 9Dance Suite, Sz. 77: IV. Molto tranquillo3:33
763. 10Dance Suite, Sz. 77: V. Comodo0:52
764. 11Dance Suite, Sz. 77: VI. Finale: Allegro4:17
765. 132 Portraits, Sz. 37: II. Distorted: Presto2:23
766. 14Romanian Folk Dances, Sz. 68: I. Jocul cu bâtá1:26
767. 15Romanian Folk Dances, Sz. 68: II. Brâul0:26
768. 16Romanian Folk Dances, Sz. 68: III. Pe loc0:56
769. 17Romanian Folk Dances, Sz. 68: IV. Buciumeana1:30
770. 18Romanian Folk Dances, Sz. 68: V. Poarge Românească0:29
771. 19Romanian Folk Dances, Sz. 68: VI. Mărunţel: Allegro -0:15
772. 20Romanian Folk Dances, Sz. 68: VI. Più allegro0:40
773. 1Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo7:48
774. 2Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro7:40
775. 3Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio6:35
776. 4Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto6:38
777. 5Concerto for 7 wind instruments, timpani, percussion & string orchestra: I. Allegro6:18
778. 6Concerto for 7 wind instruments, timpani, percussion & string orchestra: II. Adagietto6:02
779. 7Concerto for 7 wind instruments, timpani, percussion & string orchestra: III. Allegro vivace6:39
780. 8Études: Ouverture4:03
781. 9Études: I. Pour l'enchaînement des traits2:27
782. 10Études: II. Pour le pizzicato3:01
783. 11Études: III. Pour l'expression et le sostenuto3:28
784. 12Études: IV. Pour le style fugué6:00
785. 1L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Introduction2:33
786. 2L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Le jardin enchanté de Kachtcheï1:38
787. 3L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Apparition de l'Oiseau de feu poursuivi par Ivan Tsarévitch2:18
788. 4L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Danse de l'Oiseau de feu1:27
789. 5L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Capture de L'Oiseau de feu par Ivan Tsarévitch0:57
790. 6L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Supplications de L'Oiseau de feu - apparition des treize princesses enchantées7:27
791. 7L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Jeu des princesses avec les pommes d'or2:31
792. 8L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Brusque apparition d'Ivan Tsarévitch1:16
793. 9L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Khorovod (ronde) des princesses3:48
794. 10L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Lever de jour - Ivan Tsarévitch pénètre dans le palais de Katchtcheï1:29
795. 11L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Carillon féerique - apparition des monstres-gardiens de Kachtcheï - capture d'Ivan Tsarévitch - int5:07
796. 12L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Danse de la suite de Kachtcheï enchantée par L'Oiseau de feu0:48
797. 13L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Danse infernale de tous les sujets de Kachtcheï4:47
798. 14L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Berceuse (L'Oiseau de feu) - réveil de Kachtcheï - mort de Kachtcheï - profonds ténèbres4:59
799. 15L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Disparition du palais et des sortilèges de Kachtcheï - animation des chevaliers pétrifiés - allégre3:21
800. 16Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version), Tableau 1. Fête populaire de la Semaine grasse9:58
801. 17Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version), Tableau 2. Chez Petrouchka4:19
802. 18Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version), Tableau 3. Chez le Maure7:26
803. 19Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version), Tableau 4. Fête populaire de la Semaine grasse, vers le soir13:33
804. 1Apollon musagète, ballet in 2 scenes for string orchestra. Prologue: Naissance d'Apollon4:38
805. 2Apollon musagète, ballet in 2 scenes for string orchestra. Variation d'Apollon: Apollon et les Muses2:41
806. 3Apollon musagète, ballet in 2 scenes for string orchestra. Pas d'action4:29
807. 4Apollon musagète, ballet in 2 scenes for string orchestra. Variation de Calliope1:26
808. 5Apollon musagète, ballet in 2 scenes for string orchestra. Variation de Polymnie1:16
809. 6Apollon musagète, ballet in 2 scenes for string orchestra. Variation de Terpsichore1:43
810. 7Apollon musagète, ballet in 2 scenes for string orchestra. Variation d'Apollon2:24
811. 8Apollon musagète, ballet in 2 scenes for string orchestra. Pas de deux3:51
812. 9Apollon musagète, ballet in 2 scenes for string orchestra. Coda: Apollon et les Muses2:54
813. 10Apollon musagète, ballet in 2 scenes for string orchestra. Apothéose3:21
814. 11Chant du rossignol (Song of the Nightingale), symphonic poem for orchestra: La Fête au palais de l'Empereur5:57
815. 12Chant du rossignol (Song of the Nightingale), symphonic poem for orchestra: Les Deux Rossignols6:31
816. 13Chant du rossignol (Song of the Nightingale), symphonic poem for orchestra: Maladie et guérison de l'Empereur de Chine9:10
817. 14Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 1ère partie. L'Adoration de la terre: Introduction3:24
818. 15Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 1ère partie. L'Adoration de la terre: Les Augures printaniers - Danses des adolescentes3:35
819. 16Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 1ère partie. L'Adoration de la terre: Jeu du rapt1:17
820. 17Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 1ère partie. L'Adoration de la terre: Rondes printanières3:15
821. 18Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 1ère partie. L'Adoration de la terre: Jeux des cités1:32
822. 19Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 1ère partie. L'Adoration de la terre: Cortège du sage1:06
823. 20Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 1ère partie. L'Adoration de la terre: Le sage0:24
824. 21Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 1ère partie. L'Adoration de la terre: Danse de la terre1:18
825. 22Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 2ère partie. Le Sacrifice: Introduction3:53
826. 23Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 2ère partie. Le Sacrifice: Cercles mystérieux des adolescentes3:06
827. 24Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 2ère partie. Le Sacrifice: Glorification de l'élue1:42
828. 25Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 2ère partie. Le Sacrifice: Évocation des ancêtres0:44
829. 26Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 2ère partie. Le Sacrifice: Action rituelle des ancêtres3:34
830. 27Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra, 2ère partie. Le Sacrifice: Danse sacrale: l'élue4:59
831. 11Pulcinella Suite: I. Sinfonia1:51
832. 12Pulcinella Suite: II. Serenata3:11
833. 13Pulcinella Suite: IIIa. Scherzino1:32
834. 14Pulcinella Suite: IIIb. Allegro1:12
835. 15Pulcinella Suite: IIIc. Andantino1:17
836. 16Pulcinella Suite: IV. Tarantella2:00
837. 17Pulcinella Suite: V. Toccata0:52
838. 18Pulcinella Suite: VI. Gavotta con due variazioni4:07
839. 19Pulcinella Suite: VII. Vivo1:28
840. 20Pulcinella Suite: VIIIa. Minuet2:30
841. 21Pulcinella Suite: VIIIb. Finale2:07
842. 1Symphony in C: I. Moderato alla breve10:45
843. 2Symphony in C: II. Larghetto concertante8:01
844. 3Symphony in C: III. Allegretto5:02
845. 4Symphony in C: IV. Largo - Tempo giusto alla breve7:17
846. 5Symphony in 3 Movements: I. ♪ = 16010:33
847. 6Symphony in 3 Movements: II. Andante5:48
848. 7Symphony in 3 Movements: III. Con moto6:23
849. 8Symphonies pour instruments à vent9:14
850. 1Concerto for Piano & Wind Instruments: I. Largo - Allegro6:46
851. 2Concerto for Piano & Wind Instruments: II. Larghissimo6:17
852. 3Concerto for Piano & Wind Instruments: III. Allegro4:44
853. 4Capriccio for Piano & Orchestra: I. Presto6:32
854. 5Capriccio for Piano & Orchestra: II. Andante rapsodico4:56
855. 6Capriccio for Piano & Orchestra: III. Allegro capriccioso ma tempo giusto5:32
856. 7Suite no. 1: I. Andante1:18
857. 8Suite no. 1: II. Napolitana1:05
858. 9Suite no. 1: III. Española0:58
859. 10Suite no. 1: IV. Balalaika0:59
860. 11Suite no. 2: I. Marche1:15
861. 12Suite no. 2: II. Valse1:58
862. 13Suite no. 2: III. Polka1:00
863. 14Suite no. 2: IV. Galop2:17
864. 154 Studies: I. Danse0:59
865. 164 Studies: II. Exentrique1:55
866. 174 Studies: III. Cantique4:06
867. 184 Studies: IV. Madrid2:46
868. 19Scherzo à la Russe, for orchestra4:18
869. 20Divertimento from Le Baiser de la fée: I. Sinfonia6:27
870. 21Divertimento from Le Baiser de la fée: II. Danses suisses7:07
871. 22Divertimento from Le Baiser de la fée: III. Scherzo (By the mill)4:01
872. 23Divertimento from Le Baiser de la fée: IV. Pas de deux (a. Adagio - b. Variation - c. Coda)7:07
873. 4Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion Tableau 1: La tresse4:58
874. 5Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion Tableau 2: Chez le marié6:18
875. 6Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion Tableau 3: Le départ de la mariée3:30
876. 7Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion Tableau 4: Le repas de noces10:15
877. 8Mavra: 1. Overture2:45
878. 9Mavra: 2. Air (Parasha)1:16
879. 11Mavra: 4. Dialogue (Mother, Parasha)0:47
880. 12Mavra: 5. Air (Mother)2:20
881. 13Mavra: 6. Dialogue (Mother, Neighbour)0:15
882. 14Mavra: 7. Duet (Mother, Neighbour)3:12
883. 15Mavra: 8. Dialogue (Mother, Neighbour, Parasha, Hussar)0:39
884. 16Mavra: 9. Quartet (Mother, Neighbour, Parasha, Hussar)2:08
885. 17Mavra: 10. Dialogue (Mother, Neighbour)0:44
886. 18Mavra: 11. Duet (Parasha, Hussar)4:46
887. 21Mavra: 14. Coda (Hussar, Parasha, Mother, Neighbour)1:44
888. 1Le Baiser de la fée: Scene 1 (Prologue): The lullaby in a snowstorm8:22
889. 2Le Baiser de la fée: Scene 2: A village fête11:04
890. 3Le Baiser de la fée: Scene 3: By the mill - Pas de deux (a. Entrée - b. Adagio - c. Variation - d. Coda) - Scene14:41
891. 4Le Baiser de la fée: Scene 4 (Epilogue): The lullaby of the land beyond time and place8:48
892. 5Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra. Ouverture: Allegro moderato1:51
893. 7Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra. Scherzino: Allegro1:35
894. 8Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra. Allegro1:18
895. 9Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra. Andantino1:16
896. 10Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra. Allegro1:45
897. 12Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra. Allegro assai1:55
898. 17Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra. Andantino "Se tu m'ami"2:36
899. 18Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra. Allegro0:52
900. 20Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra. Gavotta con due variazioni1:31
901. 22Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra. Allegro assai2:19
902. 1The Firebird: 1. Introduction3:02
903. 2The Firebird: 2. First Tableau. The Enchanted Garden of Koschei1:56
904. 3The Firebird: 3. First Tableau. Appearance of the Firebird, Pursued by Prince Ivan2:32
905. 4The Firebird: 4. First Tableau. Dance of the Firebird1:33
906. 5The Firebird: 5. First Tableau. Capture of the Firebird by Prince Ivan0:59
907. 6The Firebird: 6. First Tableau. Supplication of the Firebird - Appearance of the 13 Enchanted Princesses7:51
908. 7The Firebird: 7. First Tableau. The Princesses' Game with the Golden Apple: Scherzo2:36
909. 8The Firebird: 8. First Tableau. Sudden Appearance of Prince Ivan2:40
910. 9The Firebird: 9. First Tableau. Khorovod (Round Dance) of the Princesses2:50
911. 10The Firebird: 10. First Tableau. Daybreak - Prince Ivan Penetrates Koschei's Palace1:41
912. 11The Firebird: 11. First Tableau. Magic Carillon, Appearance of Koschei's Monster Guardians, and Capture of Prince Ivan - Arrival of Koschei the Immortal - Dialogue of Koschei and Prince Ivan - Intercession of the Princesses - Appearance of the Firebird5:37
913. 12The Firebird: 12. First Tableau. Dance of the Koschei's Retinue, Enchanted by the Firebird0:53
914. 13The Firebird: 13. First Tableau. Infernal Dance of All Koschei's Subjects -4:58
915. 14The Firebird: 13. First Tableau. Lullaby of the Firebird - Koschei's Awakening - Koschei's Death - Profound Darkness5:11
916. 15The Firebird: 14. Second Tableau. Disappearance of Koschei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing3:23
917. 1Ansermet Rehearses The Firebird: Start5:57
918. 2Ansermet Rehearses The Firebird: “Everybody take three bars before 7”9:05
919. 3Ansermet Rehearses The Firebird: “Figure 33, Bassoon and Bass Clarinet”6:49
920. 4Ansermet Rehearses The Firebird: “From 74”5:53
921. 5Ansermet Rehearses The Firebird: “Now, everybody, 109”8:50
922. 6Ansermet Rehearses The Firebird: “Again from 165”5:51
923. 7Ansermet Rehearses The Firebird: “Play from 202”6:54
924. 1“You all speak a language…” Music as language3:26
925. 2“You hear a violinist…” The perception of pitch: pitch as tonal position2:16
926. 3“On the other hand, the ear perceived the successive sounds…” The birth of melody2:15
927. 4“Now, in nature, there is nothing that propels the sound from one position to another…” Melody and feeling2:39
928. 5“What goes through the creative musician's mind…” Feeling as “affective tension”1:43
929. 6“But what deceives us, and what makes music so mystifying, is this…” Music as feeling brought into play in the presence of sound2:43
930. 7“But such transitions give rise to different kinds of effective tensions…” Extrovert vs introvert tensions, passive vs active tensions3:38
931. 8Rhythm and respiratory cadence; binary and ternary cadences. “The fact that melody is an incidence of feeling will now make clear to us why it has a rhythmic structure…”2:55
932. 9Rhythm and respiratory cadence; binary and ternary cadences. “Thus time in music is cadential…”2:48
933. 10Rhythm and respiratory cadence; binary and ternary cadences. “Nut how does musical feeling constitute the tonal world in which it is able to express itself?…”3:34
934. 11Rhythm and respiratory cadence; binary and ternary cadences. “Thus, from its very birth, music introduced the musician into a structured sound space…”2:29
935. 12Rhythm and respiratory cadence; binary and ternary cadences. “The movements if fourth and fifth are the mainsprings of the mvements of feeling…”1:53
936. 13Rhythm and respiratory cadence; binary and ternary cadences. “In the age of monody, the various tonal perspectives were termed modes…”4:00
937. 14Enharmonic relations: tonal positions vs tonal meaning; modulation. “At this point, the relational power of musical auditory consciousness comes to a halt…”4:21
938. 15Enharmonic relations: tonal positions vs tonal meaning; modulation. “The major and minor chords are called perfect…”4:22
939. 16“I have been concerned so far only with melodic or harmonic movements of tonal duration…” Music as continuous discourse: Beethoven's Coriolan Overture1:31
940. 17“Why is the first motif sounded three times?…” Motifs, repition and the relation of identity6:09
941. 18“I have said that at this point we are due for something new…” Repitition and variety4:12
942. 19“This middle section has transported us back to the very beginning of the overture…” Exposition, commentary, resolution, music as dialectic6:22
943. 20“I said at the start that musical feeling is as clear to itself in lived experience as thought is clear to itself in spoken language…” The sources of musical meeaning3:13
944. 1Vous parlez tous une langue… La musique comme langage2:54
945. 2Vous entendez un violoniste… La perception du son : La qualification du son par la hauteur2:07
946. 3D'autre part, le sons qu'émet le violon l'un après l'autre… La naissance de la mélodie1:55
947. 4Or rien dans la nature ne porte le son d'une position à une autre… La musique et le sentiment2:07
948. 5Ce qui se passe chez le musician créateur… Le sentiment comme « tension affective »1:29
949. 6Mais on voit ce qui nous trompe et ce qui fait le mystère de la musique… La sentiment musical se fait en présence du son2:20
950. 7Mais ces passages donnent lieu à des tensions affective différenciées… Tensions extraverties vs tensions introverties ; tensions passives vs tensions acitves3:16
951. 8Le rythme et la cadence respiratoire ; des cadences binaires et ternaires. Le fait que la mélodie est un événement de sentiments nous fera comprendre maintenant pourquoi elle a une structure rythmique…2:12
952. 9Le rythme et la cadence respiratoire ; des cadences binaires et ternaires. Ainsi le temps musical est cadentiel…2:33
953. 10Le rythme et la cadence respiratoire ; des cadences binaires et ternaires. Mais comment le sentiment musical constitue-t-il le monde tonal dans lequel il peut se signifier ?…3:17
954. 11Le rythme et la cadence respiratoire ; des cadences binaires et ternaires. Ainsi, dès sa naissance, la musique introdusait le musician dans un espace sonore structuré…2:19
955. 12Le rythme et la cadence respiratoire ; des cadences binaires et ternaires. Les mouvements de quartes et de quintes sont les ressorts fondamentaux…1:52
956. 13Le rythme et la cadence respiratoire ; des cadences binaires et ternaires. À l'époque de la mélodie pure, les diverses perspectives tonales s'appelaient des modes…3:54
957. 14Les liaisons enharmoniques : position tonale vs signification tonale ; Modulation. À cet état de choses s'arrête le pouvoir relationnel de la conscience auditive musicale…3:54
958. 15Les liaisons enharmoniques : position tonale vs signification tonale ; Modulation. Si les accord parfaits majeurs et mineurs…3:58
959. 16Je n'ai envisagé jusq'ici que des mouvements mélodiques ou harmoniques… La musique comme discours continu : l'Ouverture Coriolan de Beethoven1:23
960. 17Pourquoi le premier motif se fait-il entendre trois fois ?… Motifs, répétition et relation d'identité5:24
961. 18Je vous ai dit qu'ici i; faudrait passer à autre chose… Répétition et variété4:04
962. 19Cette partie médians nous a remenés au début d l'ouverture… Exposition, commentaire, résolution : la musique comme dialectique5:59
963. 20Je vous disais en début de temps que le sentiment musical est aussi clair à lui-même en tant que sentiment vécu… Les origines du sens musical2:41
964. 1Jeder von Ihnen, meine Zuhörer, spricht eine Sprach …usik als Sprache3:45
965. 2Sie hören einem Violinspieler zu … Die Wahrnehmung des Tones: Bestimmung des Tones durch seine Höhe2:44
966. 3Des welleren werden die von der Violine nacheinander hervorgebrachten Töne … Die Enstehung der Melodie2:28
967. 4Nun gibt es aber im natürlich physikalischen Ablauf nichts … Melodie und Geluhi3:08
968. 5Was sich hierbel im Innern des schöpferischen Musikers abspielt … Das Gefühl als „affektive Spannung”1:55
969. 6Aber man kann sich denken, was uns irre macht … Die Musik als Gefühl wird beim Klang ausgelöst3:22
970. 7Aber diese Übergange geben unterschiedlichen affektiven Spannungen Raum … Extrovertiete vs. Introvierte Spannungen; passive vs. aktive Spannungen4:21
971. 8Rhythmus und Atemkadenz; zweizeitige und dreizeitige Kadenzen. Die Tatsache, dass die Melodie ein Gefühlsereignis ist, gibt uns nun auch die Erklärung, warum sie eine rhythmische Struktur hat …2:51
972. 9Rhythmus und Atemkadenz; zweizeitige und dreizeitige Kadenzen. Und daher ist auch die musikalische Zeit kadenziell …3:16
973. 10Rhythmus und Atemkadenz; zweizeitige und dreizeitige Kadenzen. Wie aber schafft sich das musikalische Gefühl die Welt der Töne in der es sich bekunden kann? …4:07
974. 11Rhythmus und Atemkadenz; zweizeitige und dreizeitige Kadenzen. So hat unsere Musik von ihrer Geburt an den Musiker in einen strukturierten Tonraum eingeführt …2:42
975. 12Rhythmus und Atemkadenz; zweizeitige und dreizeitige Kadenzen. Die Quart- und Quint-Bewegungen sind die haptsächlichen Triebfedern …2:04
976. 13Rhythmus und Atemkadenz; zweizeitige und dreizeitige Kadenzen. Zur Zeit der reinen Melodie wurden die Tonperspecktiven Modi gennant …4:19
977. 14Enharmonische Beziehungen; Tonposition vs. tonale Bedeutung; Modulation. Bei diesem Stand der Dinge sind wir an der Grenze der Fähigkeit des musikalischen Hörbewusstseins Beziehungen zwischen den Tönen zu erkennen; angelangt …4:41
978. 15Enharmonische Beziehungen; Tonposition vs. tonale Bedeutung; Modulation. Wenn uns die vollkommenen Dur- und Moll-Akkorde …4:26
979. 16Ich habe bisher nur melodische oder harmonische Bewegungen von kurzer Daur behandeit … Musik als ständige Zwiesprache: Beethoven Coriolan-Ouvertüre1:38
980. 17Warum wird wohl das erste Motiv dieser Phrase dreimal hintereinander vorgetragen? … Motive, Wiederholung und Identitätsbeziehung6:57
981. 18Ich habe Ihnen angekündigt … Wiederholung und Mannigfaltigkeit4:16
982. 19Dieser Mittelteil der Ouverture hat uns zu ihrem Anfang zurückgeführt … Exposition, Kommentar, Lösung: Musik als Dialektik6:36
983. 20Ich habe ihnen zu Anfang geagt, dass das musikalische Gefühl sich selbst als Gefühlserlebnis ebenso klar ist … Die Ursprünge des musikalischen Sinns3:06